A print magazine of our very own: Meet The San Franciscan

Proving that San Francisco is still a place that celebrates grassroots efforts, locals Erica Messner and Amanda Legge have launched a new magazine about our city, The San Franciscan. Launching a magazine (a print one, at that) is no small feat, especially as the pandemic pushed us farther from each other. In this episode of the podcast, Erica and Amanda call us back around the campfire to share how they made their dream into reality, despite a little legal hiccup from their other favorite urban mag. 

Amanda and Erica have a new issue out, and the cover features a scene from our preferred mode of transportation. You can get a copy of it, featuring work from 30+ local artists and writers, at local favs spots like Green Apple Books, Dog Eared Books, and Alley Cat Bookstores and Gallery.

Listen to their story:

In their retelling, Amanda and Erica mention this cartoon—which was (foolishly!) not accepted by The New Yorker—that started it all.

We’re so glad to see friends getting together to create something for the city we all love—it certainly sounds familiar to us here at Muni Diaries HQ.

As always, we are looking for stories about people who love and care about our city. If you have someone to nominate to be on our podcast, email us at muni.diaries.sf@gmail.com.

Support these SF AAPI orgs and stop telling the Muni ‘chicken story’

San Francisco is approximately 37% AAPI*, and here at Muni Diaries, we are 2/3 Asian women, the first-generation American children of immigrants, and proud of our heritage. We’ve spent more than a decade documenting life in San Francisco because we love our city. But that love letter can be harder to write in the shadow of violent crimes against Asians in San Francisco and a mass shooting targeting Asian women in Atlanta.

Like all people of color, we were hardly surprised—this is the reality of being non-white in the United States. But we were horrified for the victims, current and future. As Asian women, public transit enthusiasts, and longtime urban adventurers, we wonder how easily it could have been one of us.

Even in our tiny universe of collecting your stories on Muni, race has been a constant. We started the conversation about race on Muni Diaries in 2009 after an audience member made fun of a Chinese stereotype at our live show (henceforth named the Muni Chicken Story Incident). And we continue having these conversations with one another and within our community today.

Early in the pandemic, our Asian-American readers asked, “Do you feel that people are glaring at you on Muni?” We were almost relieved because we were experiencing the same.

The issue of race remains one of our most frequent editorial judgements in story submissions; ethnicity is often included as a descriptor when relaying a tale, even if it doesn’t add anything to the story. It usually seems unintentional, but from our perspective behind the scenes, it highlights how descriptors of “others” are noteworthy, whereas descriptors of the perceived default—white—are not.

Every incident reminds us that we can’t only be philosophically against AAPI hate, we actually have to do something about it every single day. We will continue to make Muni Diaries a fair and inclusive place to talk about our city, and we encourage you to support these San Francisco-based Asian-American organizations who are on the front lines of advocacy.

If you have other organizations to add, and other actions to share, our comments section and inbox are always open to your point of view.

Photo by Right Angle Images.

Facing my Moonies childhood in San Francisco

The Bay Area has a reputation for having, as SFist describes it, a “special affinity for cultism.” While some have leaned on the term to describe many of life’s experiences, from spiritual to culinary, we haven’t yet heard a first-hand account of life in a cult. Enter Teddy Hose.

Teddy grew up in the Unification Church of the United States, whose followers are more commonly known as the Moonies after founder Sun Myun Moon. Teddy’s father came to San Francisco as an artist in the 1960s, living in the famed artist commune in the Goodman Building on Geary and Van Ness. His parents met in the Unification Church in San Francisco, and moved around to other cities, to work for the church. Above, Teddy is pictured second from right, with his family in Tarrytown, NY. A picture of the Moon family is on the mantle—Teddy remembers their photos were all over their house then.

A few years ago he decided to go public about his childhood growing up in the Moonies, and he has since appeared in documentaries for A&E and Netflix to provide an insider’s perspective on cults.

On the podcast today, Teddy shares his story of returning to San Francisco as an adult to start his life as an artist. San Francisco was, ultimately, the best place for him to examine his family’s past and the imprint it has left on him today.

Listen to the podcast episode:

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Your 2020 commute in 10 memorable moments

Here at Muni Diaries HQ, we usually end the year with a fun and lighthearted “Top Most WTF Moments of the Year” type of countdown. But in 2020…where do we even start?

As shelter-in-place became a more permanent fixture of our lives, documenting life in San Francisco, especially via commute tales, took on a different meaning. We saw the uphill battle faced by so many small businesses and venues (like our beloved Rickshaw Stop), and the struggles of essential workers, particularly Muni operators and first responders—many of whom relied on Muni to get around. We’re grateful that we could help share those stories.

So here are some highly memorable moments from your commuter tales, in this Dumpster fire of a year.

Listen to the podcast episode:

Featured photo by @murkyvillagesf

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“Hearts in San Francisco” to inaugurate newest member

If you think San Francisco needs to gripe less and do more, look no further than artists Kurt Schwartzmann and Deirdre Weinberg.

Listeners may remember Schwartzmann from Muni Diaries Live, where he shared his moving story of how Muni drivers provided his only refuge when he was unhoused. Schwartzmann, who lost sight in one eye due to complications from AIDS, dedicated his art series, “Yellow Line,” to the Muni drivers whose empathy helped him survive those difficult times.

He has since paid artistic tribute to other facets of San Francisco life with artist Deirdre Weinberg, who has created public art for more than two decades. The duo first collaborated on beautifying the outdoor dining space for the iconic Buena Vista cafe this summer, and now they’ve partnered on the newest of the Hearts of San Francisco—which have benefited the San Francisco General Hospital Foundation since 2004.

In this week’s podcast episode, we chat with the artists about how they became stewards of a beloved San Francisco tradition.

Listen to Kurt Schwartzmann and Deirdre Weinberg, interviewed by Muni Diaries cofounder Tara Ramroop:

Schwartzmann sent us photos of the heart in progress, from the day that the plain, unadorned, and apparently heavy and rather “voluptuous” heart was delivered to his garage, to the colorful paint drip that the two artists painstakingly created. He sent us photos of the heart in progress:

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