@pfungcollects shared a relic from when we partied like it was 1999 with Limp Bizkit and Live 105 at the Family Values Tour—founded by nu-metal sensation Korn—and a grumpy Muni bus headed to the Cow Palace.
Yikes. I challenge anyone to come up with a more “Bay Area in the late-’90s” sentence than that. ^^
The Bay Area has a reputation for having, as SFist describes it, a “special affinity for cultism.” While some have leaned on the term to describe many of life’s experiences, from spiritual to culinary, we haven’t yet heard a first-hand account of life in a cult. Enter Teddy Hose.
Teddy grew up in the Unification Church of the United States, whose followers are more commonly known as the Moonies after founder Sun Myun Moon. Teddy’s father came to San Francisco as an artist in the 1960s, living in the famed artist commune in the Goodman Building on Geary and Van Ness. His parents met in the Unification Church in San Francisco, and moved around to other cities, to work for the church. Above, Teddy is pictured second from right, with his family in Tarrytown, NY. A picture of the Moon family is on the mantle—Teddy remembers their photos were all over their house then.
A few years ago he decided to go public about his childhood growing up in the Moonies, and he has since appeared in documentaries for A&E and Netflix to provide an insider’s perspective on cults.
On the podcast today, Teddy shares his story of returning to San Francisco as an adult to start his life as an artist. San Francisco was, ultimately, the best place for him to examine his family’s past and the imprint it has left on him today.
Here at Muni Diaries HQ, we usually end the year with a fun and lighthearted “Top Most WTF Moments of the Year” type of countdown. But in 2020…where do we even start?
As shelter-in-place became a more permanent fixture of our lives, documenting life in San Francisco, especially via commute tales, took on a different meaning. We saw the uphill battle faced by so many small businesses and venues (like our beloved Rickshaw Stop), and the struggles of essential workers, particularly Muni operators and first responders—many of whom relied on Muni to get around. We’re grateful that we could help share those stories.
So here are some highly memorable moments from your commuter tales, in this Dumpster fire of a year.
If you think San Francisco needs to gripe less and do more, look no further than artists Kurt Schwartzmann and Deirdre Weinberg.
Listeners may remember Schwartzmann from Muni Diaries Live, where he shared his moving story of how Muni drivers provided his only refuge when he was unhoused. Schwartzmann, who lost sight in one eye due to complications from AIDS, dedicated his art series, “Yellow Line,” to the Muni drivers whose empathy helped him survive those difficult times.
He has since paid artistic tribute to other facets of San Francisco life with artist Deirdre Weinberg, who has created public art for more than two decades. The duo first collaborated on beautifying the outdoor dining space for the iconic Buena Vista cafe this summer, and now they’ve partnered on the newest of the Hearts of San Francisco—which have benefited the San Francisco General Hospital Foundation since 2004.
In this week’s podcast episode, we chat with the artists about how they became stewards of a beloved San Francisco tradition.
Listen to Kurt Schwartzmann and Deirdre Weinberg, interviewed by Muni Diaries cofounder Tara Ramroop:
Schwartzmann sent us photos of the heart in progress, from the day that the plain, unadorned, and apparently heavy and rather “voluptuous” heart was delivered to his garage, to the colorful paint drip that the two artists painstakingly created. He sent us photos of the heart in progress:
One of the most sobering moments for me at the beginning of the pandemic was walking by Le Central on Bush and seeing the bistro window covered with plywood. Once the popular lunch spot for Willie Brown (who’d play dice with his pals at the table by the window), the bistro’s board-up was the first time I really sensed the fear and emptiness that would soon permeate downtown.
As plywood boards sprung up all over every neighborhood, though, a couple of San Franciscans created a project that truly made lemonade out of all the lemons that 2020 has thrown at us. Within weeks, pedestrians started seeing beautiful murals on plywood boards that covered closed shops and restaurants, starting in Hayes Valley and extending all over town. The project is called Paint the Void, which matches mural artists with shuttered storefronts. Since April, Paint the Void has matched artists who beautified over 84 shops and restaurants, making walking around in San Francisco a joy again.
In today’s podcast episode, we invite Lisa Vortman, the Co-Founder, Director of Photography, Media and Storytelling of Paint the Void, to share the story of the first mural she photographed for the project. All the photos in this post are also from Lisa and Paint the Void.
The beautiful flower mural in Lisa’s story is by Nora Bruhn (@konorebi on Instagram), which covered Chez Maman in Hayes Valley. The restaurant has since re-opened for outdoor dining, but you can scroll down to see photos of the mural and Brunh working on-site this spring.
Seeing these murals on my daily walks has been one of those things that makes me say, “This is why I live here.” You can even make a day of it—follow this map to more murals via the Paint the Void website, where you can also contribute to the nonprofit’s excellent work.
If you know someone who’s doing something great to help San Franciscans get through this terrible year, we want to know! Our submissions inbox is always open: email us at firstname.lastname@example.org or tag us @munidiaries on Twitter, Facebook, or Instagram.
The Buena Vista is bringing their famed Irish coffees to Beach Street with its new outdoor dining space, featuring painting by local artists Deirdre Weinberg and Kurt Schwartzmann.
Both artists have been working on the panels at the cafe’s outdoor dining space since late July. Schwartzmann’s “love trees” paintings came from his current project, The Space Between Us Is Love. He says: “While we must maintain our distance from each other during this crisis, know that the distance that separates us is an expression of love that keeps us safe.”
Muni Diaries podcast listeners might recognize Schwartzmann from his story last year at Muni Diaries Live. At our live show, he shared the story of how he conquered his struggle with drug addiction and found his way as an artist. While he was unhoused, Muni became a refuge for Schwartzmann, who has lost sight in one eye due to complications from AIDS.
We’re looking forward to returning to The Buena Vista and watching the bartender line up glass after glass of Irish coffee at the bar. Meanwhile, enjoy the spiked coffee in their outdoor space, surrounded by paintings by two artists who truly embody the San Francisco spirit.