San Francisco Diaries: When true love leaves you in stitches

Storyteller Kathleen Auterio moved to San Francisco from Massachusetts to do new things, just like in the Bee Gees song. It was the year 2000, and everything seemed to be on track: she had an apartment, a roommate, and a job at SF Weekly managing the adult ads in the back of the paper—a job that accepted her as a proud metalhead. After meeting a new guy at the paper, though, they would soon come face to face with a relationship trust exercise involving a field hospital surgery.

(We can’t wait for you to listen to the episode so you can fully get all the puns we stuffed into this post. Our mouths are still agape.)

Kathleen is also one of our esteemed Muni Diaries Live alum. You can hear her story about an eventful Muni ride on Episode 81 of the podcast. 

Listen to Kathleen’s story:

We want to hear your story about how San Francisco changed you—or vice versa! If you have a story to share or know someone who does, pitch us your story idea by emailing us at muni.diaries.sf@gmail.com. And don’t forget to subscribe to the podcast so you don’t miss any of these true tales from the city.

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Limp Bizkit, Live 105, and Muni walk into a time machine…

@pfungcollects shared a relic from when we partied like it was 1999 with Limp Bizkit and Live 105 at the Family Values Tour—founded by nu-metal sensation Korn—and a grumpy Muni bus headed to the Cow Palace.

Yikes. I challenge anyone to come up with a more “Bay Area in the late-’90s” sentence than that. ^^

I can’t say I’m surprised to see Muni sneaking into the mix; from “My Neighbor Totoro” Catbus t-shirts to a cameo in Sister Act 2, Muni has always found a way into the spotlight.

Speaking of the ’90s, it was also preserved and well in my family home in South City. Yes, that’s a pristine collection of KMEL and Wild 107 stickers hoarded carefully in a drawer for two decades.

Shout out to the Bay Area kids who remember pre-Wild 94.9, all the way on the far side of the radio dial.

From transit ephemera to relics of Bay Area gone by, we want to see it, hear it, and know about it. Tag us on FacebookInstagram, or Twitter. Our email inbox is always open, too.

Facing my Moonies childhood in San Francisco

The Bay Area has a reputation for having, as SFist describes it, a “special affinity for cultism.” While some have leaned on the term to describe many of life’s experiences, from spiritual to culinary, we haven’t yet heard a first-hand account of life in a cult. Enter Teddy Hose.

Teddy grew up in the Unification Church of the United States, whose followers are more commonly known as the Moonies after founder Sun Myun Moon. Teddy’s father came to San Francisco as an artist in the 1960s, living in the famed artist commune in the Goodman Building on Geary and Van Ness. His parents met in the Unification Church in San Francisco, and moved around to other cities, to work for the church. Above, Teddy is pictured second from right, with his family in Tarrytown, NY. A picture of the Moon family is on the mantle—Teddy remembers their photos were all over their house then.

A few years ago he decided to go public about his childhood growing up in the Moonies, and he has since appeared in documentaries for A&E and Netflix to provide an insider’s perspective on cults.

On the podcast today, Teddy shares his story of returning to San Francisco as an adult to start his life as an artist. San Francisco was, ultimately, the best place for him to examine his family’s past and the imprint it has left on him today.

Listen to the podcast episode:

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Your 2020 commute in 10 memorable moments

Here at Muni Diaries HQ, we usually end the year with a fun and lighthearted “Top Most WTF Moments of the Year” type of countdown. But in 2020…where do we even start?

As shelter-in-place became a more permanent fixture of our lives, documenting life in San Francisco, especially via commute tales, took on a different meaning. We saw the uphill battle faced by so many small businesses and venues (like our beloved Rickshaw Stop), and the struggles of essential workers, particularly Muni operators and first responders—many of whom relied on Muni to get around. We’re grateful that we could help share those stories.

So here are some highly memorable moments from your commuter tales, in this Dumpster fire of a year.

Listen to the podcast episode:

Featured photo by @murkyvillagesf

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“Hearts in San Francisco” to inaugurate newest member

If you think San Francisco needs to gripe less and do more, look no further than artists Kurt Schwartzmann and Deirdre Weinberg.

Listeners may remember Schwartzmann from Muni Diaries Live, where he shared his moving story of how Muni drivers provided his only refuge when he was unhoused. Schwartzmann, who lost sight in one eye due to complications from AIDS, dedicated his art series, “Yellow Line,” to the Muni drivers whose empathy helped him survive those difficult times.

He has since paid artistic tribute to other facets of San Francisco life with artist Deirdre Weinberg, who has created public art for more than two decades. The duo first collaborated on beautifying the outdoor dining space for the iconic Buena Vista cafe this summer, and now they’ve partnered on the newest of the Hearts of San Francisco—which have benefited the San Francisco General Hospital Foundation since 2004.

In this week’s podcast episode, we chat with the artists about how they became stewards of a beloved San Francisco tradition.

Listen to Kurt Schwartzmann and Deirdre Weinberg, interviewed by Muni Diaries cofounder Tara Ramroop:

Schwartzmann sent us photos of the heart in progress, from the day that the plain, unadorned, and apparently heavy and rather “voluptuous” heart was delivered to his garage, to the colorful paint drip that the two artists painstakingly created. He sent us photos of the heart in progress:

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Painting the pandemic void, one storefront at a time

One of the most sobering moments for me at the beginning of the pandemic was walking by Le Central on Bush and seeing the bistro window covered with plywood. Once the popular lunch spot for Willie Brown (who’d play dice with his pals at the table by the window), the bistro’s board-up was the first time I really sensed the fear and emptiness that would soon permeate downtown.

As plywood boards sprung up all over every neighborhood, though, a couple of San Franciscans created a project that truly made lemonade out of all the lemons that 2020 has thrown at us. Within weeks, pedestrians started seeing beautiful murals on plywood boards that covered closed shops and restaurants, starting in Hayes Valley and extending all over town. The project is called Paint the Void, which matches mural artists with shuttered storefronts. Since April, Paint the Void has matched artists who beautified over 84 shops and restaurants, making walking around in San Francisco a joy again.

In today’s podcast episode, we invite Lisa Vortman, the Co-Founder, Director of Photography, Media and Storytelling of Paint the Void, to share the story of the first mural she photographed for the project. All the photos in this post are also from Lisa and Paint the Void.

Listen to her story:

The beautiful flower mural in Lisa’s story is by Nora Bruhn (@konorebi on Instagram), which covered Chez Maman in Hayes Valley. The restaurant has since re-opened for outdoor dining, but you can scroll down to see photos of the mural and Brunh working on-site this spring.

Seeing these murals on my daily walks has been one of those things that makes me say, “This is why I live here.” You can even make a day of it—follow this map to more murals via the Paint the Void website, where you can also contribute to the nonprofit’s excellent work.

If you know someone who’s doing something great to help San Franciscans get through this terrible year, we want to know! Our submissions inbox is always open: email us at muni.diaries.sf@gmail.com or tag us @munidiaries on Twitter, Facebook, or Instagram.

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