The Buena Vista is bringing their famed Irish coffees to Beach Street with its new outdoor dining space, featuring painting by local artists Deirdre Weinberg and Kurt Schwartzmann.
Both artists have been working on the panels at the cafe’s outdoor dining space since late July. Schwartzmann’s “love trees” paintings came from his current project, The Space Between Us Is Love. He says: “While we must maintain our distance from each other during this crisis, know that the distance that separates us is an expression of love that keeps us safe.”
Muni Diaries podcast listeners might recognize Schwartzmann from his story last year at Muni Diaries Live. At our live show, he shared the story of how he conquered his struggle with drug addiction and found his way as an artist. While he was unhoused, Muni became a refuge for Schwartzmann, who has lost sight in one eye due to complications from AIDS.
We’re looking forward to returning to The Buena Vista and watching the bartender line up glass after glass of Irish coffee at the bar. Meanwhile, enjoy the spiked coffee in their outdoor space, surrounded by paintings by two artists who truly embody the San Francisco spirit.
You’ve walked past them and under them a thousand times, seen them from afar and used them as landmarks. But do you really know the history behind San Francisco’s neon signs? We invite two neon historians to this episode of San Francisco Diaries podcast to tell us all about one very memorable neon sign that they are still hunting for.
Al Barna and Randall Ann Homan are the creators of San Francisco Neon, an organization of historians, educators, and advocates for the vintage neon signs you see all over our city. They are also the authors of the book, San Francisco Neon: Survivors and Lost Icons.
Scroll down to see the transcript of this episode.
San Francisco Neon has evening virtual presentations about the history behind historic neon signs in the Tenderloin and Chinatown, and an online version of their festival, Neon Speaks, is in September. You can find out more at SFNeon.org.
If you’re looking for more stories from San Francisco’s history buffs, be sure you check out this episode about the Transamerica Pyramid’s bohemian past.
We are dedicated to bringing you more stories about our city as told by everyday San Franciscans. If you have a story to share, or know someone with a story you think everyone should know, email us at firstname.lastname@example.org.
Though the city’s charms were sometimes “charms” on the wrong day or in the wrong moment, we knew what we signed up for. For me, anyway, that includes the normalcy of playing standing Twister on a packed bus that only got fuller with every stop. Indeed, in the not-so-distant past, the Muni Metro platform looked like this and manspreading earned you a ticket to hell.
Amanda Staight, stalwart San Franciscan and Muni fan, put her thoughts on the matter into verse for the podcast. Amanda is also a great friend of Muni Diaries, a lover of neighborhoods, communities and casual conversations. Her favorite seat on the bus is next to the rear door, up the little steps in the back—I kinda like that one, too.
Scroll down to see the transcript of this episode.
We’re four-plus months into SIP. How are you keeping your corner of San Francisco alive? Share your San Francisco stories, from on the rails or off, at email@example.com, on the socials @munidiaries on Facebook, Twitter, and Instagram.
Over on the Muni Diaries Twitter wire, readers tipped us to Michael’s late-night N-Judah Muni tale, which he captured in his Flickr account. Oh, how we miss the after hours “Temporary Autonomous Zone” on Muni, where you never know who you’ll meet or what will happen.
It was just after closing time at the bar, and two groups of skaters got on the bus along with a host of other characters. Somehow, different strangers on the bus offer our narrator drugs, booze, and a surprisingly thoughtful detail for both. Here’s Michael’s story:
Both of my preferred seats are occupied so I’m sitting in the last row + middle seat. There’s Junkie Guy to my left who is sitting in the corner seat and has turned the seat between us into his living room where all of his worldly possessions are spread out as he frantically rearranges his living space. A bunch of skaters in their 20s get on and sit in front of me and one of them starts playing a country western type song on his phone and they all start singing along to lyrics that are all about a love song to cocaine.
Junkie Guy instantly looks up and starts asking if any of the skaters have cocaine and they’re all, “No, it’s just a song.” Then they further explained that the guy singing on the phone does not have any cocaine to share either. Sorry, Junkie Guy, false alarm.
Then another group of skaters with a case of beer get on the back of the bus. They recognize the first group of skaters and start talking about their night. I get the impression that their paths crossed earlier in the day and now they are crossing again on the Night Owl on the way home.
I really like those moments where everyone’s story comes full circle and these different storylines converge, like the end of Dazed & Confused. I also like getting to know all of my neighbors that keep the same hours that I do but are part of different scenes.
Here we all are, the disco queens, the punk rockers, the junkies, the preppies, it’s the 2AM Breakfast Club. This is where we all End Up. All the people that did not feel like paying money to take an Uber home in a timely fashion, all on the crazy train headed off into The Sunset, all in the No Man’s Land Temporary Autonomous Zone / wretched hive of scum and villainy that is the back of the bus.
In the last few weeks we have all been re-examining social justice in our communities, and on our Facebook Page and Twitter, you’ve brought up great discussions around the role of public transit in race and class in San Francisco. We’ll continue these conversations while still bringing you stories of people connecting in the city and on Muni.
Today’s story is from a submission by Muni Diaries reader Wil. How often do you let a moment of connection pass you by? In this story, Wil shares a conversation with a stranger on the bus. This story is read by Dayne W.
What must we do to bring public transit back into our lives? (Not a rhetorical question, please give us a list other than stay the f*ck home.)
In an NPR interview this week, SFMTA head Jeffrey Tumlin shares what he’s learned about how other cities got back on buses and trains, while waxing poetic about the cultural value of life on transit. We knew someday they’d see things our way.
Tumlin says that SFMTA had a Zoom call with the mayor of Taipei to learn about their approach. (Taiwan has been praised internationally for its COVID response). But he says that “fear and exhaustion” remain the biggest challenge in reopening public transit.
Our workforce, all of them are working ridiculous long hours and they are exhausted and our front-line workers in particular have been carrying with them a huge amount of fear. There is an emotional toll to our workforce that is going to take a long time to heal and it’s going to impact our ability to deliver service. That fear is also present amongst members of the public. If Bay Area residents retreat to their cars out of fear, the economy can never recover.
While public transit is essential to our city life and economy, Tumlin also sounds like a fan of the random acts of humanity on Muni—which this comMUNIty knows all about.
Public transportation brings us back to our common humanity. When you get on the bus you have no idea who you’re gonna see. There are the casual flirtations, there’s also the kind of witness of tragedy that kind of breaks your heart, and opens you up to gratitude if we’re lucky. Public transit is not always fun or efficient, but it certainly brings us back to our common humanity.
Listen to his full interview here on Planet Money. We think we’re on the same page about the importance of public transit, but how that takes shape safely remains to be seen. Tumlin says that most Taipei transit riders wear masks; there are temperature probes at subway stations; and importantly, the country has effective contact tracing. It wasn’t clear whether or how the SFMTA might consider similar measures in order to restore transit service.